...reconsider solids? Cecil Beaton did, for the charming drawing room of his Manhattan pied-à-terre, to considerable effect.
I, of all people, hate to admit it, but it appears to be so: it doesn't have to be all about flowered chintz and Toile de Jouy. Dammit.
Most of it works, but those blue lamps and the vase have a hint of that "crafter with a can of spray paint" look to them.
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