Showing posts with label Drag. Show all posts
Showing posts with label Drag. Show all posts
Sunday, July 5, 2015
Broken Goddess
Sunday, October 26, 2014
All Kinds of Empresses
Labels:
Aestheticians,
Décor,
Drag,
Franz Josef,
Miss Wurst,
Royal,
Travel,
Vienna
Thursday, June 12, 2014
The Shutterbug and the Underworld Empress
The entirely New York phenomenon that was Weegee was born on this day in 1899. Just to be clear, this is not he.
Labels:
Birthdays,
Chapeaux,
Des bijoux,
Drag,
Feathers,
Furs,
Manhattan,
Maquillage,
Mr. Weegee
Thursday, April 10, 2014
Wednesday, January 1, 2014
Hail the New...
Monday, November 25, 2013
Saturday, August 24, 2013
Shameless Saturday Camp Explosion: Drag Rant
What is extravagant in an inconsistent or an unpassionate way is not Camp.
- Susan Sontag, "Notes on Camp"
A few snippets of Camp at its most classic for this lovely August Saturday...
Wednesday, May 8, 2013
Victory!
May 8, 1945 may have been V-E Day for much of a war-weary world, but for at least a few happy Londoners, it would seem that it was also TV Day. While the boy on the right is achieving a sort of Talullahesque insouciance, his companions are clearly indulging in what our pal the Professor refers to as "booger drag." Perhaps it was rationing, and they just couldn't get hold of a decent pair of heels...
Friday, August 17, 2012
Friday Sports Update
Yes, you read that right. There must be something in the air, or in the water, or perhaps it's the lingering effects of those games that the Duchess of Cambridge spent so much time at these last couple of weeks, but not only did dear Peteykins of Princess Sparklepony fame yesterday run not one but two at least tangentially sports-related items, but now even here at the Café, we've gone all athletic.
Or at least we're thinking good thoughts about athletes. Perhaps you could say we were athletic supporters. Or perhaps not.
In any case... The very vigorous gentleman above, you see, has been the topic of much conversation of late at the Villa Muscato. Specifically, I've noticed Mr. Muscato talking about him with the many Egyptian pals with whom checking in for long phone/Skype conversations almost daily is apparently a core aspect of Ramadan devotions. Generally, these chats cover topics such as What We Had for Breakfast (which is supper, which remains confusing even after nine years), What [Insert Actress Name Here] Is Up To On Her Ramadan Soap Opera This Year, Slutty Queens Other Pals Are Dating/Have Dumped/Will Absolutely Bag After Ramadan, and, being Egyptian, How Much They Miss Mama. Politics figures, but rather depressingly of late.
Football has its place as well, but I've noticed that this year's iteration of that portion of the conversation is repeatedly interrupted by laughter - loud, raucous, and prolonged.
This man, it turns out, is the cause. He is a Ghanaian by birth and in the last few years has played in Europe and for teams at home. Once upon a time I lived for a while in Ghana and loved it, so at first I thought it was some aspect of a place I love that was being derided and was distinctly chilly about it all. Far from it, it turns out.
You see, Mr. Clottey has in recent months been under consideration for recruitment by one of Egypt's leading teams, El Ahly. Ahly is one of the two big Cairo teams, and loyalties run deep both with it and with its arch-rival, Zamalek. Having lived in the neighborhood of the same name, I'm an ardent Zamalkawi, while Mr. Muscato is a fervent Ehlawi. We try not to let it get in the way of things too much.
The problem with the prospect of this gifted and not unpleasing young sportsman coming to play along the Nile? Cue the screaming laughter from Egyptians, for the problem is his name. "Clooti," you see, in the Egyptian dialect - and it really is pronounced exactly like the poor man's family name - means "my panties." Say it aloud a couple of times. His presence would force Cairo's sports announcers to keep a straight face while saying things like "...the ball goes to My Panties," "watch out! The fielders are tackling My Panties," and even, "Now the whole game rests on My Panties." The gang just can't get over it.
Although it seems that the prospect of Mr. Clottey heading out from Accra seem to be fading, having gone in search of him proved worthwhile even absent the saga of his moniker, for it enabled me to find this memorable image of a happy Ghana fan:
Personally, I think Miss Richfield 1981 ought to sue. Or start a franchise. Either way - isn't she great?
Sunday, May 6, 2012
Ya Gotta Believe...
For anyone who found yesterday a little too wholesome - and, while I love her to death, I know that Alice Faye can have that effect on people - how about a little something, umm, less so? The anti-Alice - the one and only, late lamented, totally demented Divine - shows us how it's done.
Labels:
Drag,
Glamazons,
Les Années 80,
Mr. Milstead,
Video
Monday, April 23, 2012
Image du Jour: Funnies Business
Ten questions this arresting image provokes:
1. Who would have thought that Jimmy Olsen would so closely resemble Anne Baxter?
2. Wouldn't you love to see the rest of the outfit? Based on the blouse, I'm guessing knee-length navy pencil skirt with rear kick-pleat and coordinating sensible pumps. Alternate scenarios welcome.
3. Did he borrow the outfit from Lois, or was it a fresh purchase? Spend a moment thinking of Jimmy Olsen shopping in the Career Gal section of Gimbels.*
* I just looked this up. Turns out the department store in Metropolis is Lacey's. I suppose that means their competition is Mimbels, Kanamakers, or Ultmans. Fancy metropolites must shop at Pergdorf Doogman.
4. Is it a coincidence that the wig so closely resemble's Ed Woods's in Glen or Glenda?
5. If so, why isn't there more angora involved? If not, why not?
6. Haven't we all had a night or two like this?
7. If your answer to (6) was "no," was the overriding reason: (a) the drag? (b) the armed, J. Edgar-ische heavy? or (c) the bat-toting chimp?
8. Do you suppose that 7(c) marks the first appearance in English of the phrase "bat-toting chimp"?
9. In this case, is a cigar just a cigar?
10. If this is panel No. 8, do you suppose panels 9 through 12 hinged more heavily on the pistol or the baseball bat? Please submit your concepts, with special points given for (a) the intervention of aliens; (b) the appearance in a pivotal role of Thelma Ritter as Birdie Coogan; or (c) a sex scene not involving the chimp.
1. Who would have thought that Jimmy Olsen would so closely resemble Anne Baxter?
2. Wouldn't you love to see the rest of the outfit? Based on the blouse, I'm guessing knee-length navy pencil skirt with rear kick-pleat and coordinating sensible pumps. Alternate scenarios welcome.
3. Did he borrow the outfit from Lois, or was it a fresh purchase? Spend a moment thinking of Jimmy Olsen shopping in the Career Gal section of Gimbels.*
* I just looked this up. Turns out the department store in Metropolis is Lacey's. I suppose that means their competition is Mimbels, Kanamakers, or Ultmans. Fancy metropolites must shop at Pergdorf Doogman.
4. Is it a coincidence that the wig so closely resemble's Ed Woods's in Glen or Glenda?
5. If so, why isn't there more angora involved? If not, why not?
6. Haven't we all had a night or two like this?
7. If your answer to (6) was "no," was the overriding reason: (a) the drag? (b) the armed, J. Edgar-ische heavy? or (c) the bat-toting chimp?
8. Do you suppose that 7(c) marks the first appearance in English of the phrase "bat-toting chimp"?
9. In this case, is a cigar just a cigar?
10. If this is panel No. 8, do you suppose panels 9 through 12 hinged more heavily on the pistol or the baseball bat? Please submit your concepts, with special points given for (a) the intervention of aliens; (b) the appearance in a pivotal role of Thelma Ritter as Birdie Coogan; or (c) a sex scene not involving the chimp.
Labels:
Characters,
Drag,
Image du Jour,
Mr. Olsen,
Ten Things,
wigs
Saturday, July 10, 2010
Jifts of the Season

Of these, I don't think there can be anything better than the creature pictured above, the incredible Dina Martina. It's actually rather hard to describe an evening in her presence, except that it is raucous, mindbending, and, most surprisingly, startingly cosy. She reminds me of one of my favorite Susan Sontag lines: "Camp is a tender feeling."
Who else could make an audience vie fiercely for the privilege of winning what are billed as "the world's largest underpants" (emblazoned, live on stage, with the star's own makeup faceprint)? Who could create a mash-up on "Fever" and "No Scrubs"? Most of all, who else could take an act made up of just about equal parts malapropisms, mispronunciations (g frequently becoming j -Ms. M. is very pleased with her "jifts"), hoary jokes, show-biz lore, and a healthy dose of the very difficult art of singing just badly enough (it really is tough, kids - just ask Jo Stafford)? I can think of no one but Dina.
Each of the acts we've seen these past few weeks have been pretty fab - the tight, Vegas-style evening of cabaret with Cher-extraordinaire Randy Roberts (whose own character, a diva poised somewhere between Ann Margret and Rita Hayworth, is even better than his star takes), the trip into Varla Jean Merman's glamorously demented song-stylings, nights with Miss Richfield and Miss Burlington and more, and of course the truly awe-inspiring trainwrecks that are each week's edition of the town's legendary "talent" contest/revue Show Girls. Still, it's Dina I'll take away as someone I'd not only like to see again, but maybe have a cocktail with, in character or out. I know nothing about the man behind the legend, but it must take a fascinating brain to go so far out and still feel so very much at home.
* Although no one, alas, seems to be doing Bette Davis this year. I have a hunch that you can guess who this year's sensation is, done in tributes ranging from respectful to disembowelling. If you were to guess that her initials are L.G., you wouldn't be far off (and no, it's not Linda Gray).
Tuesday, September 8, 2009
Dueling Bankheads



The essentials of the impersonation are consistent: the sweep of hair and slash of lipstick; cigarette of course; frequently a mink, for clutching and throwing off the shoulders; most generally a cocktail...






Ah, but on a good night - I have been assured by Ones Who Were There - ah, then the angels sang. I've heard it on good authority that on some nights, during her too-short run in a revival of The Milk Train Doesn't Stop Here Anymore, she could by sheer force of personality and utter fabulosity, strike gay not only the entire audience, but passers-by of the Brooks Atkinson Theatre for a distance of up to two blocks.
She's a kind they just don't make these days, but at least we can enjoy, to varying extents, the ways that others bring bits of her to life...
Saturday, June 6, 2009
Birthday Queens
Well, technically a Tsaritsa and a queen, but what do you want on a Saturday? They had very different lives; think of them as embodiments of the masks of tragedy and comedy, linked, perhaps, by an enormous capacity to love...
The tragic one first. I realized with a shock today that Alexandra Feodorovna, Empress of the All the Russias, was just my age or thereabouts when she met her tragic end. One thinks of her as an old woman by 1918, but she was merely weary.
It started promisingly enough - a grand-daughter of the great Victoria, raised in a serenely Anglophilic nursery in the country her mother had married into, Hesse. It seemed to get only more so when she entered into a love-match with her handsome, gentle cousin who would someday be Tsar. Almost immediately, though, it started to go wrong - the wedding marred by a stampede as the poor scrambled for gifts, then the birth of a series of girls - much loved, but not heirs.
At last, a boy - and the end somehow becomes inevitable: hemophilia. The Empress, mad for a cure, descended into a kind of mystic religious mania. Rasputin. World War. Revolution. Exile. Death, sudden and violent, in a dank Siberian basement.
Her portraits always seem foreboding, as if she has some idea, already, that there's something gone awry. And yet when she was a girl, her nickname was Sunny, for her smile; her husband called her that until the day they died.
Thinking of our other birthday celebrant brings drama of a different kind - the sturm und drag of life on the fringes of New York's avant garde, followed by sudden, sensational success, Tony Awards (the first one 27 years ago, would you believe?), and then a long stretch as America's Official Theatrical Homosexual. Harvey Fierstein has worn the highs (La Cage, Hairspray) well, even as he's weathered the lows (Legs Diamond; the very special hell that is Double Platinum...) with aplomb. He's an original, and today he celebrates his 55th.

It started promisingly enough - a grand-daughter of the great Victoria, raised in a serenely Anglophilic nursery in the country her mother had married into, Hesse. It seemed to get only more so when she entered into a love-match with her handsome, gentle cousin who would someday be Tsar. Almost immediately, though, it started to go wrong - the wedding marred by a stampede as the poor scrambled for gifts, then the birth of a series of girls - much loved, but not heirs.
At last, a boy - and the end somehow becomes inevitable: hemophilia. The Empress, mad for a cure, descended into a kind of mystic religious mania. Rasputin. World War. Revolution. Exile. Death, sudden and violent, in a dank Siberian basement.
Her portraits always seem foreboding, as if she has some idea, already, that there's something gone awry. And yet when she was a girl, her nickname was Sunny, for her smile; her husband called her that until the day they died.

Labels:
Alix of Hesse,
Birthdays,
Drag,
Mr. Fierstein,
Pearls,
Royal
Tuesday, June 2, 2009
The Many Friends of Danny La Rue

Is it just me, or does it seem possible that cocktails might have been being served in the Royal Box? I've never seen that tiara pushed quite that far back before.




Monday, June 1, 2009
Good Night, Sweet Prince(ss)

In the mixed-up pomo-homo world we live in, there's something slightly quaint, and very charming, about La Rue's long reign as the UK's favorite "comic in a frock," but we ought not let his old-school impersonations of the Great Ladies (including the fictional Dolly Levi) cause us to underestimate him. Anyone Noël Coward could describe as "The most professional, the most witty... and the most utterly charming man in the business" shouldn't be taken lightly.
When it comes to drag, La Rue was the Mother of the Them All for half-a-century or so; I like to think he's taking a little cocktail even as we speak with Julian Eltinge and Charles Pierce. You just know those peignoirs are fierce.
Wednesday, May 27, 2009
Kevin's Little Secret

Friday, May 15, 2009
Meanwhile, in Montauk

Tuesday, April 28, 2009
Who Becomes a Legend Most?

Labels:
Drag,
Furs,
Glamazons,
Miss Goldberg,
Mr. Busch,
The Lyp,
The Theatah
Friday, April 10, 2009
A Nod to the Season, I
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