Showing posts with label The Duchess of Argyll. Show all posts
Showing posts with label The Duchess of Argyll. Show all posts

Thursday, August 23, 2012

Portrait Gallery: Remembrance of Scandal Past


In light of today's unflattering headlines in regard to a lesser member of a certain British family, I think it's worth remembering that they've been through this kind of thing before.

For instance, the blue-eyed gentleman seen here, in a typically bravura portrait by dear M. de László, was the cause of many trials in his comparatively short life.  He is George, Duke of Kent, son of the difficult but distinctly longsuffering George V and Queen Mary, uncle of the present monarch and great-great-uncle of today's tabloid miscreant. 

His deeds and misdeeds ranged from a rather too pronounced fondness for the nightlife (he most certainly, in a different decade, would have been a regular on The Disco Round, especially in regard to its pharmaceutical angle) to a reputedly indiscriminate approach to matters of the heart (and other less seemly parts).  He is said to have included among his amours everyone from Barbara Cartland to the scandalous Duchess of Argyll, along with jazz diva Florence Mills, Mr. Noël Coward, and even the mother of Café favorite the Rajmata of Jaipur. 

He married well, to Princess Marina of Greece, and whatever else went on on the side, they seem to have gotten along fine.  In addition to his three Kentish children (all still among us and paragons of royal service, especially his daughter, the estimable Princess Alexandra, said to be the Queen's favorite cousin), he is alleged to have had several others; the Duchess of Westminster tried to start a rumor that one of them was Lee Radziwell's first husband, but that seems a little much even to me.

Rumors are just as rife about his political proclivities as his sex life, although scuttlebutt about his supposed Nazi leanings seem less justified than that that clouds the memory of his brother the ex-king and his harridan of a wife.  He died in service to the nation, in a plane crash en route to a visit to the troops in Iceland, just 70 years ago this coming Saturday.  His widow lived on irreproachable splendor 'til the late '60s, and the blots on his copybook have come, over the decades, to seem more interesting foibles than shameful lapses.

In short, a couple of blurry nudes should not, if all continues to be handled sensibly, go too far in diffusing the impact of these last few triumphant months for the Windsor clan.  They've gotten through Windsor and Wally's affair (not to mention Koo Stark, embarrassing phone calls, killer corgis, and unflattering headlines going all the way back to poor Lady Flora Hastings and beyond), and they'll get through this.

Thursday, July 23, 2009

It's a Look

I know these early snaps have already been all over the 'net, harbingers of Mr. Burton's upcoming interpretation of Alice in Wonderland. I'm particularly taken by this one, his lady-love Miss Bonham-Carter (and not everyone, ducks, can do two hyphenated phrases in a row) as the Red Queen.

I think I am especially amused because I firmly believe that it has been based on a combination of Elizabeth I and that colorful lady of the last century, Margaret, Duchess of Argyll.

Well, everything except maybe the pig (and, not to be a purist or anything, isn't it the Duchess who holds a pig?).

Thursday, February 19, 2009

Portrait Gallery: The Dirty Duchess

Today's object lesson in the dangers of misdirected fabulousness is Margaret, sometime Duchess of Argyll: a beautiful, brilliant, crazed woman who is one of the few historical figures I can think of still regularly referred to as a hopeless nymphomaniac.

In her early days, she was a fairly standard - if especially stunning - Bright Young Thing, as evinced by this extremely fetching portrait by Cecil Beaton.

She married serially and well, spending a brief period in Ducal splendour as something of a pillar of the establishment, leading to eighteenth-century-style portraits and regrettable (almost Windsorian) taste in ballgowns.

And then it all went rather wrong. Something - a naturally voracious nature; a bad fall that shook loose some shard of crazy that set her off, who knows - made Margaret the talk of London for her wild promiscuity, culminating in one of the nastiest divorces in British history, with a scandal that included a Polaroid camera, her trademark three strands of pearls, at least one gentlemen but probably more, still anonymous, but likely well-known, and some extremely Compromising Circumstances.

She ended her days in reduced circumstances and her final decades in clinging to whatever shards of the high life she could. As seen here, she spent time in some fairly dubious company, and looks rather bemused by it.

She is remembered, beyond the scandals, for her style: the pearls, the poodle, the black-red bouffant; the brittle remarks; the extraordinary contrast between her High Lady facade and whatever it was that roiled within. Composer Thomas Ades wrote an opera, Powder Her Face, on her life, and it was as entrancing and befuddling as the lady herself would seem to have been.

But I keep going back to the Beaton: those eyes, that face.